Columnist
English
Published: April 11, 2013
Recent controversies have shown the social media giant's influence in determining "what is art?" — and its getting it wrong.
The Art Lover
by
Ben Davis
THE ART LOVER is an infrequent column of love advice from an art critic's perspective, written by executive editor Ben...
ARTINFO Op-Ed
by
Benjamin Genocchio
We’ve all read media reports of internal problems at the Museum of Contemporary Art in Los Angeles — exhibitions...
by
David Kratz
We were quite surprised last year when Facebook took down a photo posted by the New York Academy of Art on our page....
by
ARTINFO UK
The figures are staggering. As the world's finest athletes compete in the Olympic Park, from June 21 to September 9...
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Benjamin Genocchio
A decade ago art fairs were more intimate, with displays often exhibiting individual flair. As big business moved in,...
by
Sara Wookey
I participated in an audition on November 7th for performance artist Marina Abramovic’s production for the annual...
Opinion
by
Shane Ferro
The last week has been something of a rollercoaster of news about the Los Angeles museum world. First, after months —...
by
Coline Milliard, ARTINFO UK
Speaking at the first Edinburgh International Culture Summit yesterday, EU culture commissioner Androulla Vassiliou...
by
Reid Singer, Shane Ferro
The stakes in U.S. Supreme Court's decision today about the Affordable Care Act were high — not least for...
by
Julia Halperin, Benjamin Sutton
The art world lost a valued voice yesterday when Artnet announced it was shutting down its magazine after 16...
by
Reid Singer
NEW YORK — People love the New York Public Library, and yet there’s a general agreement that it cannot survive in...
by
Chloe Wyma
Sotheby's CEO and six-million dollar man Bill Ruprecht probably doesn’t read the leftist intellectual journal...
Interventions
by
Ben Davis
What to make of Gutai? The Guggenheim’s survey of the mid-century Japanese avant-garde group, which closes today, is...
by
Ben Davis
With over 50 paintings, “museum-quality” is probably the term you'd use to describe Gagosian’s Jean-...
by
Ben Davis
Imagine yourself cracking open one of those terrible essays about “how young people talk today.” The author makes a...
by
Ben Davis
You probably don’t want to read another article on art and money. I don’t really want to write one. But then again, I...
by
Ben Davis
About one half hour before it goes up, the 40-foot-tall wooden sculpture at the center of Burning Man raises its hands...
by
Ben Davis
President Obama’s reelection last week has put a blazing spotlight on the “emerging majority” thesis, thrusting it...
Columns
by
BLOUIN ARTINFO
Art fair coverage. We know it can be a drag — we know because we have to write a lot of it. This week...
by
Alanna Martinez
Here are BLOUIN ARTINFO's top picks for this week in art openings around the world.LONDON“Utopia” at Hoxton Art...
Dispatch From L.A.
by
Nate Freeman
LOS ANGELES — On the day of our interview with David Lynch, we took the elevator to the sixth floor of the Chateau...
by
Nate Freeman
LOS ANGELES – An hour into the reveal of “Dom Perignon by David Lynch,” the walls of Milk Studios ...





























