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International Edition
May 18, 2013 Last Updated: 7:32:AM EDT

MoMA

Connie Butler Leaves MoMA to Become Head Curator at L....
by
Eileen Kinsella
The Hammer Museum in Los Angeles has appointed Connie Butler as chief curator. In her new role, Butler, who recently resigned from the Museum of Modern Art, New York, will be in charge of developing and organizing exhibitions, building the Hammer’s...
Connie Butler, Hammer Museum, MoMA, Museums
In Conversation and In Review: The Underestimated...
by
Joseph Henry
If there’s one cultural icon unique for its contemporary ubiquity and our unparalleled adoration, it is the household cat – Felis catus. Though predominantly a fixture of memes and .gifs, cat representations have made inroads into the work of prominent...
Americas, Barbara Kruger, Carolee Schneemann, Cindy Sherman, Galerie Samuel Lallouz, Inifinity Kisses, Joseph Henry, Lynn Turner, Marielle Nitoslawska, MoMA, Contemporary Arts
Oldenburg’s "Floor Burger," Once Distasteful...
by
Rea McNamara
With the recent opening of his show at the Museum of Modern Art, New Yorkers finally have the chance to feast their eyes on the brightly painted sculptures and sculptural reliefs of coffee shop foods from Claes Oldenburg’s classic work “...
AGO, Americas, Claus Oldenberg, Conservation, Floor Burger, food, MoMA, New York City, Sherry Phillips, Toronto, US/Canada, Contemporary Arts
VIDEO: Claes Oldenburg's "The Street and The...
by
Dion Tan
Claes Oldenburg began his extraordinary pop art career in the 1960s by transforming everyday objects - such as banana sundaes, hamburgers and street signs - into whimsical sculptural depictions. In "The Street and The Store," the Museum of Modern Art revisits...
Ann Temkin, Claes Oldenburg, MoMA, Museum of Modern Art, The Street and The Store, Contemporary Arts, Visual Arts, Videos, Artists
On the Eve of Claes Oldenburg's MoMA Show,...
by
Kris Wilton
Claes Oldenburg’s 1962 sculpture Floor Burger — a four-by-seven-foot painted canvas stuffed with foam rubber and cardboard boxes — caused an uproar in 1967 when the Art Gallery of Ontario (AGO) purchased it from New York’s Sidney...
Claes Oldenburg, MoMA, Museum of Modern Art, The Street and The Store, Collecting, Contemporary Arts, Market News, Visual Arts, Art+Auction Magazine
Non-Objective Art History: How MoMA's "...
by
Ben Davis
Imagine yourself cracking open one of those terrible essays about “how young people talk today.” The author makes a big deal about how the kids are tossing around slangy abbreviations like “LOL” and “OMG.” But you are baffled to discover that in explaining...
Ben Davis, MoMA, Interventions
Weimar Germany’s Movie Diaspora Spreads Light and Dark...
by
Graham Fuller
“The influence of anxiety” is one way of describing many of the 31 films in the Museum of Modern Art’s impressive “The Weimar Touch” exhibition, which starts next Wednesday, April 3, and runs through May 6.  As opposed to a conventional...
Art Films, Film, Graham Fuller, MoMA, New York, The Weimar Touch, News, Performing Arts
VIDEO: “Henri Labrouste: Structure Brought to Light”...
by
Dion Tan, Janelle Zara
On view now at the Museum of Modern Art, “Henri Labrouste: Structure Brought to Light” charts the career of the celebrated 19th-century French architect behind Paris’s Bibliothèque Sainte-Geneviève and Bibliothèque nationale, arguably two of the most...
Architecture, Barry Bergdoll, Henri Labrouste, MoMA, Museum of Modern Art, Structure Brought to Light, Architecture & Design, Videos
VIDEO: Bill Brandt's "Shadow and Light...
by
Dion Tan
As a founding figure of photography's modernist traditions, Bill Brandt's unpredictable works from landscapes to nudes showcase his unique vision. His images of society in the 1930s and exploration of moon-lit London during the blackouts of the Second World...
Bill Brandt, MoMA, Museum of Modern Art, Sarah Hermanson Meister, Shadow and Light, Museums, Visual Arts, Videos
Doryun Chong, Photo: Scott Rudd
MoMA's Doryun Chong Looks Back on "Tokyo...
by
Darryl Jingwen Wee
 NEW YORK — Amidst a busy late winter arts season that saw particularly strong exhibitions focused on postwar Japanese art — the Gutai retrospective at the Guggenheim, for instance, plus solo shows of individual Gutai artists like Takesada Matsutani at...
Doryun Chong, Gutai, Jikken Kobo, Kazuo Shiraga, MoMA, Mono-Ha, New York, Osaka Expo, Tokyo 1955-1970: A New Avant Garde, US/Canada, Zero Jigen, Contemporary Arts, North America, Visual Arts

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