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March 2018

  • Desirée Dolron’s first show in the US

    The influence of the Dutch Old Masters is immediately apparent in her work

    By Nina Siegal

  • An Obsessive Filmmaker

    James Benning has always been engaged in addressing the systemic oppression and exclusionary prejudice he has witnessed in  American society

    By Sarah Moroz

  • In Conversation Nicole Berry

    Her sudden elevation as the head of the Armory Show last year did not hamper her efforts to expand and revise — the 2018 fair bears her stamp in many ways

    By Annie Godrey Larmon

  • Adeline Ooi on Building Bridges

    It isn’t often when the whole of Asia comes together under the same roof. Art Basel in Hong Kong is one of those rare moments

    By Tina Xu

  • ‘I’m a Gallerist of Today’

    Art dealer Kamel Mennour on maintaining a quality touch in a world of “colossal transformations”

    By Franca Toscano

  • Touching on the Sublime

    For three exhibitions in London, Tacita Dean responds to classical genres through the prism of her own practice

    By Anya Harrison

  • Ghost in the Machine

    Henri Michaux’s intuitive and daring approach to art gets a fresh look in a major exhibition at Guggenheim Bilbao

    By Anya Harrison

  • A Rebel Artist

    Gérard Garouste’s figurative art is set to be feted at three venues in Paris this month

    By Tobias Grey

  • Poetry In Glass

    Jean-Michel Othoniel explores a new kind of radicalism with his signature glass works

    By Aymeric Mantoux

  • A Deep Connection

    The story of two artistic giants — Herbert Ferber and Mark rothko — their friendship, and what set them apart

    By Stephen Heyman

  • Remembering Jack Tilton

    He was endowed with the twin qualities necessary for any dealer to thrive: a love of art, and a knack for business

    By Franca Toscano

  • Datebook

    The season’s top picks from London, new york, Paris, Beijing, Chicago and Los Angeles