Artist Colette Accuses Lady Gaga (and Madonna) of Plagiarism
Artist Colette Accuses Lady Gaga (and Madonna) of Plagiarism
NEW YORK — Lady Gaga has been accused of ripping off performance artist Leigh Bowery’s costumes, Madonna’s Jean Paul Gaultier bodysuit, and the late Isabella Blow’s outrageous hats. Now downtown New York multimedia artist Colette, who had her pieces shown at the Guggenheim and MOCA L.A. in the '90s, is saying the pop star appropriated her environment installations (one is pictured at left) for the Boudoir window that’s part of Gaga’s Workshop at Barneys.
Colette’s friend Josh Gilbert shot a video, “Looking for Lady Gaga,” claiming that Gaga’s window display “has legendary multi-media performance artist Colette's notorious creations written all over it.”
“I get 20 million phone calls and emails about that window at Barneys,” Colette says in the video. “But … nobody’s doing something about it, so I have to take charge.” (Colette explained to ARTINFO that while she agreed to be filmed by Gilbert, she didn’t know he was taping her in the car when she said that.)
Gaga’s Boudoir and Colette’s environments do share a color palette, some textures, and similar furnishings. And then there are the window settings, Victorian theme, and lounging females. “One of my signatures is to have a total environment of which I'm part of, usually reclining, sometimes nude,” Colette told us.
Colette admits one notable difference — whoever decorated Gaga’s Boudoir used hair, instead of the silk and satin ruching Colette deployed to cover the walls and ceilings of her works. Not that the artist sees it as an improvement. “Hair is not that most sensuous thing,” she says.
Several of Colette’s supporters have commented on the video’s Vimeo page, including Jim Fouratt, who wrote: “Who ever [sic] did this work for GaGa [sic] should have at a minimune [sic] give an attribution to Colette.”
Others are more skeptical. “Colette could argue that Gaga derived her design from Colette's original arrangement,” wrote a commenter on the Cut. “However it is kinda a long shot...”
In any case, Colette’s not bitter. “I look at [Gaga] more as a daughter or a descendent than as an enemy or competitor,” she says. “I understand her. I respect her.” However, she does wish that the workshop producers went to her to create the Boudoir. “Lady Gaga for whatever reason did not call me to do that window,” said Colette. “I find that very sad. Maybe she knows me, maybe she doesn't. I cannot blame her. I wish she would get to know me. I think she would love what I do.”
This isn’t the first time a pop star has found inspiration in Colette’s work. The artist says Madonna lifted the sepia tones and her scantily-dressed style from her 1979 “Beautiful Dreamer” LP for 1984’s “Like a Virgin” cover (both pictured above left), which was conceptualized by the stylist who worked with Fiorucci when Colette did a window display for the fashion brand in 1978.
Colette also claims her work caught the eye of a few legendary artists. The artist says that Jean-Michel Basquiat and Keith Haring were influenced by her street art. She even says she did transformation and self-portraits before Cindy Sherman. “I started what Cindy Sherman got credit for as well,” said Colette.
Speaking of Sherman and Madonna, Colette has an idea for how Lady Gaga could pay her back. “Maybe she could give me a show at the MoMA, the way Madonna did with Cindy Sherman,” Colette suggests. “Maybe she can sponsor that, and a catalogue, too. That would be a very honorable thing to do.”



Comments
I think that's a stretch… there is nothing proprietary about a Victorian theme, or bedroom furnishings… they're conventional. You can't "own" either of those things. It seems Colette is pointing fingers at a number of artists here and nothing being claimed is overly original or at all proprietary. In all honesty, looking at the 2 images, I think the Gaga installation is much more unique and inspired - each furniture item uniquely designed and original rather than just an arrangement of typical furnishings. Has Colette considered that perhaps Gaga was asked to design a Boudoir display?
I'm an Art Director by profession, and having a background in design I understand some things are conventional, and just because someone designs something similar to me, doesn't mean they 'ripped me off' personally. There are only so many ways to do some things. It's like saying that because I and another designer both designed websites with the same colour scheme and put the navigation at the top that one of us must have ripped the other off :s
Dear Art Info and Ann Binlot,-THANK YOU for the coverage- this story certainly is taking a life of its own. I only wish writers would be more confident and not have to quote ME for my influences in the art community& popular culture: & take these quotes from other reliable sources-ex; art historians, writers ,artistsetc.. -OR simply by LOOKING at my work. It would make the TRUTH surface much faster,and not make me and whatis said so questionable.www;colettetheartist.com
just wish people would stopp quoting me for the influence my work has had on other artist & popular culture- Enough has been written and recorded by reliable sources:wwwcolettetheartist.com.
I wish instead of me, other influential writers art historians etc.. would be quoted for me having influence on other artists and popular culture. www;colettetheartist.com
There is enough evidence in press books reviews etc...that I need not be quoted for my influence on the art community and popular culture;it makes the facts questionnable..
A seminal NYC artist whose vast body of work has been influencing artists for generations. I can see why she'd get a little p.o.'d.
She's was literally painting the streets of soho in early 1970's!
http://www.youtube.com/watch?v=Npjg0WqYndw&list=UUnB3RVKwtw7U-7eE3rSuK6A...
Argueably the mother of graffiti artist.
Lecturing Jeff Koons on art/beauty/love when he was still working Wall street (in a bubble-bath no less).
http://www.youtube.com/watch?v=QbMHMqXssYo&list=UUnB3RVKwtw7U-7eE3rSuK6A...
Time for a retrospective. Judge for yourselves:
http://www.colettetheartist.com/
"Lady Gaga has been accused of ripping off performance artist Leigh Bowery’s costumes, Madonna’s Jean Paul Gaultier bodysuit, and the late Isabella Blow’s outrageous hats." You left off Niki de Saint Phalle's sculpture. Example / my comment on it here:
http://www.hintmag.com/post/lady-gaga-now-owns-holiday-shopping--novembe...
I think what irks me the most about all this -- speaking just as a reader, not as someone whose work has been appropriated -- is that so many people who make a living writing about art and culture right now seem to lack the cultural fluency to recognize such rip offs when one is staring them in the face. Either that or they are too sheepish to say anything about it. Why?
I think we are ALL tapping into the same pool of creative influences and impulses. None of us "own" any of it, and none of it originates with any of us. But I am torn, because part of me wants to see someone like Colette stand up to Gaga and get legal on her, so that Gaga will have to really put her story together and think about whether or not she is in fact (seems so) appropriating other people's work. One could argue that everything she does (but this goes for Beyonce and others too), taking this and that from all over the place. It just shows that there are really no "new" ideas. Just new ways of presenting them. And there should be room for everyone. I think the issue for me comes where there are cases where artists become aggressive in their "taking", manipulatively call it "inspired by" but in the process are demoralizing the people whom they are taking from. Because it can feel like true disrespect if an artist steals. It can also feel like a true compliment "imitation is the highest form of flattery". Both are valid reactions, i think.
If doing a victorian boudoir in a window, one must cover the walls with fabric. Likely that fabric would be curtains, if it's supposed to be "victorian" and the choice of white could be a coincedence. Gaga might have changed the color scheme, but the objects in the setting are not the same anyway, so does one have to change the color, just to avoid confusion? What if using white makes the most sense for other reasons?
Fashion designers, for one example, as everyone knows, are usually all doing the same designs each season. It's never one designers "big idea" to use stripes or fringe. It's a reaction to last season's emphasis on pastels and lace, and the stripes come in, as the antidote. This zeitgeist predicts what will become the next cultural, fashion, style movements.
Everyone is reacting to the same exact influences. There are usually two main trends always going on, all the time, throughout history which is, the decadent styles and the minimal or industrial styles. Those are always there, no one is brilliant for bringing back historical looks and then bringing back modern looks, etc.
To try to claim ownership of these ideas, I often believe, gets to be a battle of egos, ***with ALL due respect to each individual artist***.
I am an artist myself and I feel I have been through the same thoughts in the past. The negative feelings that arise from feeling "stolen from" can be a real thorn and can even make one feel paralyzed with disbelief. But it takes energy away from talking about and doing other things.
In the end, how much does it matter? I've seen Gaga take ideas from performers who make very little money in comparison to Gaga. But I've also seen those very underpaid performers take ideas from other peers, who have more experience or are older, then claim it's their idea and go on to become very popular after doing so. This can feel undermining. And it stinks. Seems born out of a competitive drive more than anything. Like a race to "who can do it first". The trick is to put things out there first, with your name on it, so since Colette did it first, i'd say her career will be ok. And yes, Gaga looks more like "the daughter" of art concepts, not the originator. I also think Gaga is using the ideas of marketing and appropriation to her benefit by having her identity be a personification of the capitalism we are surrounded by, which includes art. This irony can be delightful where i am rooting for her, and it also makes me angry because it comes off as 'appropriating'. Sometimes it's "inspiration" and sometimes it's "stealing".
I think we respect a person less if it's an obvious "copy", but the truth is, the thief never has an issue with stealing, I do. So I lose. I dont get ahead by being upset by others taking, they get ahead for just using everything around them and forging ahead. Artists can be like machines, they suck up things they see around them like a vacuum cleaner that has no filter and sometimes other people's stuff gets taken into the hose. Bits of costumes and set designs, choreography and song phrases, paintings and photographs all get used by one person and she gets credit for putting it together.
What helps me is to remember we are all part of the same creative wave and the same world looking at the same palettes and the same fabrics and same inspirations. Everyone can feel special, but no one is, in the end, more special than any other person and if you want to argue that one person's ideas are better than another's it gets into all kinds of "superiority" complex discussions. If someone takes an idea I liked, I try to feel relieved that it is one less thing I have to spend time on, and am therefore freed up to move onto a newer fresher idea. "boudoir" is not a unique idea, again, all due respect to the artist Colette.
The artists I've seen out there in the world, generally take ideas from each other, and simply cannot always give credit from where the ideas came from, because they are all pretty grateful and thirsty for any publicity that they get. So in their minds to constantly nod to other artists in interviews and on their web pages, might be like giving away their once chance for attention that they cannot afford (literally) to do. With Gaga it's different and maybe when she gets older she'll credit the real individulas whom supply her inspiration. Or maybe ***start doing things that look unarguably distinct.***
Here is a quote from Elizabeth Murray, which I really think could help people to keep their egos in check:
"Sometimes you use it and it's yours; another time you do it and it's still theirs."