May 2013 Table of Contents
SHOWCASE
Introducing
Lee Kit
by Stephanie Bailey
Introducing
Liz Glynn
by Emily Ellis Fox
Curiosity
A curator’s take on several unusual objects
by Richard Parry
MASTERS
Tracey Emin
Q&A
by Coline Milliard
Joel Wachs
The Warhol Foundation president, profiled
by Julia Halperin
COMMENT
Books
A review of Janet Malcolm’s Forty-One False Starts
by Brian Dillon
Film
Carlos Reygadas’s Post Tenebras Lux
by Graham Fuller
Reviews
Ragnar Kjartansson at Luhring Augustine, New York // Scott Indrisek
Duron Jackson at the Brooklyn Museum, New York // Clara Halpern
Tony Conrad at Greene Naftali, New York // Wendy Vogel
A.R. Penck at Michael Werner, New York // Paul Laster
Nayland Blake at Matthew Marks, New York // Nova Benway
“The Book Lovers” at the Elizabeth Foundation for the Arts Project Space, New York // Wendy Vogel
Andra Ursuta at Venus Over Manhattan, New York // Brienne Walsh
Cordy Ryman at the Visual Arts Center of New Jersey, Summit, New Jersey // Christopher Howard
Richard Jackson at the OCMA, Newport Beach, California // Emily Ellis Fox
Jack Whitten at the SCAD Museum of Art, Savannah, Georgia // Meghan Dailey
Gulsun Karamustafa at Rodeo, Istanbul // Merve Unsal
Karl Holmqvist at Galerie Neu, Berlin // Alexander Forbes
Richard Wentworth at Lisson Gallery, London // Rob Sharp
Steve Bishops at Carlos/Ishikawa, London // Rob Sharp
In-brief reviews: New York, London, Dublin
PORTFOLIO
Newsmaker
Jeremy Deller
Curator’s Choice
Nicola Lees
Studio Tracks
A playlist from Haroon Mirza
Q&A
Rob Pruitt
Private View
Elizabeth Zvonar
REPORTS
Ins & Outs
Artist moves and other news
Art & Life
Garry Winogrand’s “Women Are Beautiful” series: still problematic
by Tyler Green
Studio Check
Spencer Finch
DEPARTMENTS
Hey, Don’t I Know You?
Parties, people, openings
Hit List
Things we like
Biopic
Richard Misrach
How It Is
The City
by Stephen Crowe