Willem de Kooning - Willem de Kooning Biography, Artwork, Galleries Online | BLOUIN ARTINFO
Louise Blouin Media
Louise Blouin Media, Inc.
88 Laight Street
10013
New York
Blouin Artinfo

Subscriber login

Biography

Occupation: Painter and sculptor
Movement: Abstract Expressionism
Education: Rotterdam Academy of Fine Arts and Techniques
 
Willem de Kooning’s Famous Artworks 
“Asheville,” 1948
“Woman/Verso,” 1948
“Woman,” 1949
“Woman V,” 1952-53
“Police Gazette,” 1955
“Merritt Parkway,” 1959
“The Door to the River,” 1960
“The Visit,” 1967
“The Man and the Big Blonde,” 1974
“Seated Woman on a Bench,” 1972-76
“Clamdigger (de Kooning),” 1972-76
 
Dutch-born painter Willem de Kooning was one of the most important members of post-war American art, helping to define the era with his brand of Abstract Expressionism, which emphasizes spontaneous creation and emotional intensity. He was part of the New York School, a loose association of artists comprising greats such as Mark Rothko, Arshile Gorky and Jackson Pollock.
 
Willem De Kooning’s painting ‘Woman – III’, created between 1951-1953, holds the record for the most expensive painting by the artist ever sold. At $137 million, the price it fetched at a 2006 auction, it is the fourth most expensive painting of all times.
 
Willem de Kooning’s Early Life
De Kooning was born in Rotterdam. Having found his calling early, he quit school and apprenticed at a commercial decorating and design firm. He simultaneously joined night classes at the Rotterdam Academy of Fine Arts and Techniques in 1916, where he studied for the next eight years. In 1924, he spent a year studying in Belgium, and then returned to the Netherlands.
 
Willem de Kooning’s Art and New York
De Kooning made his way to the United States as a stowaway on a ship in 1926. He did a variety of jobs in different parts of the country, eventually settling in Hoboken, New Jersey, as a house painter. The following year, he moved to a studio in Manhattan. He made a living working variously as a carpenter, commercial designer, sign painter and window dresser. Meeting a group of New York artists such as Arshile Gorky, Stuart Davis and John Graham proved to be important. Eventually, he was able to live on painting alone from mid-1930s. 
 
Willem de Kooning made murals for the Federal Art Project from 1935-39. His early works were influenced by Gorky and Pablo Picasso, but de Kooning was also taken by the more gestural qualities of the New York School, comprising Jackson Pollock and Franz Kline. In 1938, he started painting male figures, including ‘Two Men Standing’ and ‘Seated Figure (Classic Male)’, while working at the same time on a series of lyrically-colored abstract pieces. 
 
Willem de Kooning’s Abstract Expressionism and the ‘Woman’ series
De Kooning was an important leader of the Abstract Expressionist movement, and had his first solo show in 1948 in New York. He also taught during this period in North Carolina, at the Black Mountain College and in the Yale School of Art in 1950.
 
Women fascinated the artist and he painted them intermittently in the 1940s and 1950s. His later works caused a scandal for his vehement, almost violent and vulgar portrayal of women — with slashed bodies, large, drooping breasts and sadistic grins. These paintings were exhibited in 1953 at the Sidney Janis Gallery, causing a scandal. He created six paintings in the ‘Woman’ series, of which ‘Woman III’ is the most expensive de Kooning painting ever sold. It fetched $137 million at a 2006 auction, making it one of the most expensive paintings of the world. 
 
However, from the late 1950s to 1960s, the artist started creating abstract works that were more inspired by landscapes than the human figure. These works feature calligraphic tendencies and broad brushstrokes that are reminiscent of works by Franz Kline. These two decades were also filled with numerous shows and surveys of his work. 
 
He met Elaine Marie Fried in 1938, and eventually married her in 1943. She too earned renown as an artist and came to be known as Elaine de Kooning. His marriage, however, was difficult, and not helped by alcohol and infidelity on both their parts. They separated at the end of the 1950s. However, he was reunited with his wife in the mid 1970s. They remained together until Elaine’s death in 1989. 
 
Willem de Kooning’s Later Years
He obtained American citizenship in 1962, left New York and shifted to East Hampton, Long Island, the following year. He began painting women during this period, again in a controversial manner that invited attacks on his works. On holiday in Rome in 1968, he bumped into Herzl Emanuel, an old friend. While staying with him, he began work on small clay sculptures, following the same style of figuration as that of the ‘Woman’ series. He had them cast in bronze upon his return to the United States. Art lovers can buy Willem de Kooning’s artworks online.
 
By 1980s, he was apparently suffering from Alzheimer’s. He died in 1997, aged 92.
 
Willem de Kooning’s Legacy
Unlike many other artists, de Kooning’s works are hard to typify. His paintings ranged from abstracts with large washes of color to gestural, fleshy nudes — but they all showcase his wide-ranging vocabulary and dynamism in creation. 
 
He was prolific during the 1980s though the quality of the work from this period has been questioned. Opinions vary greatly, with some critics hailing the more than 300 canvases from this period as something new and prophetic. Others argue that alcoholism and his illness had taken away from the mastery that his earlier works had achieved. Needless to add, it’s his vintage works that have always sold for record prices at auctions.
 
His retrospectives have been held by major museums of the world, some in his time, some after his death as well. The Museum of Modern Art, New York, held his first retrospective in 1968 and again in 2011-2012; similar shows have also been hosted by the Whitney Museum of American Art and the National Gallery of Art, Washington D.C.
 
Willem de Kooning’s Major Exhibitions 
1936  -  Museum of Modern Art, New York
1942  -  McMillen Inc., New York
1944  -  Mortimer Brandt Gallery, New York
1948  -  Egan Gallery, New York
1948  -  Whitney Museum of American Art, New York
1958  -  Museum of Modern Art, New York
1965  -  Smith College Museum of Art, Northampton
1965  -  Massachusetts Institute of Technology, Cambridge
1968  -  Stedelijk Museum, Amsterdam
1968  -  Tate Gallery, London
1969  -  Museum of Modern Art, New York
1971  -  M. Knoedler and Company, New York
1974  -  University of Alabama, Tuscaloosa
1976–1977  -  Smithsonian Institute, Washington D.C.
1976–1977  -  Centre Georges Pompidou, Paris
1978  -  Guggenheim Museum, New York
1979  -  St. Louis Art Museum, St. Louis
1979  -  Walker Art Center, Minneapolis
1993  -  C&M Arts, New York
1993  -  Hirshhorn Museum, Washington D.C.
1994  -  National Gallery of Art, Washington D.C.
1995  -  Thomas Ammann Fine Art, Zurich
1995  -  San Francisco Museum of Modern Art, San Francisco
1996  -  Whitney Museum of American Art, New York
1996  -  Kunstmuseum Bonn
1997  -  The Walker Art Center, San Francisco
2005–2006  -  Kunstmuseum, Basel
2006  -  L&M Arts, New York
2006  -  The State Hermitage Museum, St. Petersburg
2006  -  Leslie Sacks Fine Art, Los Angeles
2007  -  Gagosian Gallery, New York
2009  -  Museum of Contemporary Art, Los Angeles
2009  -  Galerie Biedermann, Munich
2009  -  Katharina Rich Perlow Gallery, New York
2009  -  The National Gallery of Art, Washington D.C.
2009  -  Haunch of Venison, New York
2009  -  Neue Nationalgalerie, Berlin
2010  -  Kettle's Yard, Cambridge
2010  -  The Art Institute of Chicago
 
Willem de Kooning’s Museums/Collections 
Arts Institute of Chicago
Guggenheim Museum, New York
Guggenheim Museum, Bilbao
Metropolitan Museum of Art, New York
Museum of Modern Art, New York
National Gallery of Art, Washington D.C.
Peggy Guggenheim Collection, Venice
Tate Gallery, London
Whitney Museum of Art, New York
 
Books/Publications 
“Willem de Kooning: Ten Paintings (1983-1985)” by John Elderfield and Lauren Mahony
“Willem de Kooning: Late Paintings (1981-1988)” by David Sylvester and Julie Sylvester
“Willem de Kooning” by Sally Yard
“De Kooning: A Retrospective” by John Elderfield and Jim Coddington
“Willem de Kooning Nonstop Cherchez la Femme” by Rosalind E. Krauss
“Willem de Kooning: Last Beginnings” by Klaus Kertess

 

 Love to Wakako by Willem de Kooning

Willem de Kooning

Love to Wakako

Christie's, New York

April 19, 2018

$7,500  USD

 Quatre Lithographies by Willem de Kooning

Willem de Kooning

Quatre Lithographies

Christie's, New York

April 19, 2018

$212,500  USD

 Untitled by Willem de Kooning

Willem de Kooning

Untitled

Christie's, Hong Kong

March 29, 2018

 USD

NEWS

Sue Williams at Regen Projects, Los Angeles

By BLOUIN ARTINFO | April 18, 2018

Christie’s to Auction the Collection of Joan and Preston Tisch in New York

By BLOUIN ARTINFO | February 20, 2018

Auction Preview: Fine Art, Asian & Antiques Auction at James D. Julia Auctioneers, Fairfield, Feb 8

By BLOUIN ARTINFO | January 31, 2018

Top Art Shows in London This Week: Jasper Johns to De Kooning

By BLOUIN ARTINFO | November 30, 2017

“Willem de Kooning: Late Paintings”: A Look At America’s Greatest Post-World War II Artist

By Nina Siegal,Modern Painters | November 9, 2017

Allan Stone Projects at Expo Chicago 2017

By BLOUIN ARTINFO | August 22, 2017

SLIDESHOWS

The Collection of Peggy and David Rockefeller

By BLOUIN ARTINFO | April 4, 2018

On Paper – Online at Christie’s

By BLOUIN ARTINFO | February 14, 2018

Fine Art, Asian & Antiques Auction

By BLOUIN ARTINFO | January 30, 2018

The New Years Eve High End, Memorabilia Sale

By BLOUIN ARTINFO | December 27, 2017

Sale of Rare and Exclusive Paintings

By BLOUIN ARTINFO | November 10, 2017

‘Restless Gestures’ at National Gallery, Oslo

By BLOUIN ARTINFO | July 19, 2017