Joan Miro

Nationality : Spanish

Birth Year : 1893

Death Year : 1983

Place of Birth : Barcelona, Spain

Place of Death : Palma de Mallorca, Spain

Biography

Occupation: Painting, Sculpture, Ceramics
Movement: Surrealism
Famous Artworks
“Horse, Pipe and Red Flower,” 1920
“The Farm,” 1921-22
“The Tilled Field,” 1923-24
“Still Life with Old Shoe,” 1937
 “Ciphers and Constellations, in Love with a Woman,” 1941
“The Red Sun,” 1948
“Women and Bird in the Moonlight,” 1949
“Lunar Bird,” 1966
“Hands flying off towards the constellations,” 1974
Education: Escuela Superior de Artes Industriales y Bellas Artes, Barcelona; Escola d’Art, Barcelona
Joan Miró was an influential Spanish artist of the 20th century who famously rejected traditional methods of painting. His work has long been categorized as Surrealist, a free expression of the subconscious mind. Miró was a painter, sculptor and ceramicist. 
Early Life and Work
Born in Barcelona in the Catalonia region of Spain on April 20, 1893, he began studying at La Lonja’s Escuela Superior de Artes Industriales y Bellas Artes in Barcelona in 1907. At the same time, Miró enrolled in business school as his father, a watchmaker, and mother, a goldsmith, wanted him to have a stable vocation. Miró worked as a clerk for nearly two years after completing school, however, he decided to give up the business world and devote himself to art after suffering a nervous breakdown. He enrolled at Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915 to continue his education. Encouraged by the art dealer José Dalmau, Miró presented his first exhibition in 1918 at the Dalmau Galleries in Barcelona. 
Miró’s early works showcase an impressive range of stylistic influences—the vivid colors of Fauvism, fractured forms of Cubist perspective, the flatness of the Catalan folk art and Spanish Romanesque frescoes and 17th century Dutch Realism. 
Experimentation and Transformation
Miró made his first trip to Paris in 1920 and by 1921, he had moved permanently to the city. He quickly became a denizen of the artistic community in Montparnasse, where association with Surrealist poets and writers of the day became crucial in the development of his mature style. His first solo exhibition in Paris, organized by Dalmau, was held in 1921 at La Licorne Gallery. In 1928, Miró was part of an exhibition by Surrealist painters in Paris. In spite of his personal and professional associations, Miró retained his individuality in style and ideology and experimented with new forms throughout his career.   
By the late 1920s, Miró’s work took a new turn when he began to experiment with collages, lithographs and sculptures. His Surrealist sculptures included painted stones and found objects. Drawing on themes of memory, fantasy, and irrationality, Miró produced paintings that could be described as the visual manifestations of Surrealist poetry—reveries with a sense of humor, depictions of warped animals, twisted organic forms and bizarre geometric assemblages. Typically, works by Miró during this period featured amorphous shapes interspersed with clusters of lines, dots, and squiggles. Miró exhibited at the Museum of Modern Art (MoMA), New York, in 1936 and in 1937, he was commissioned to create a monumental work for the Paris World Fair. He created an anti-war mural called “The Reaper” which was 5.5 meters high. A retrospective of Miró’s work was held at the MoMA in New York in 1941. 
During World War II, Miró fled France and moved back to Spain. He undertook a series of 23 gouaches that comprised images of birds, women and the moon—themes he would continue to revisit for the rest of his career—titled “Constellations,” earning him the praise of Andre Bréton, the father of Surrealism. 
Miró continued to produce ethereal works, gradually whittling his figures into biomorphic abstractions and streaks of color. The artist also continued his experiments with etchings and lithography, producing two large-scale ceramic murals installed at the UNESCO building in Paris, titled “Wall of the Moon” and “Wall of the Sun,”(1957–59).
The late 1960s marked the onset of his final artistic period. During this time, Miró focused on public art works, developing monumental pieces for public display. In particular, he felt the influence of the French Art Informel movement, distinguished by the attention to bodily language and eschewing of representational form. 
Recognition
Miró was awarded the Grand Prize for Graphic Work at the Venice Biennale in 1954 and the Guggenheim International Award in 1958. Retrospectives of his work took place at the Musée National d’Art Moderne, Paris, in 1962, and the Grand Palais, Paris, in 1974. In 1978 the Musée National d’Art Moderne held another major retrospective of his drawings, exhibiting over 500 works. In 1976, the Joan Miró Foundation Center of Contemporary Art Study opened in Barcelona. Three years later, the University of Barcelona named the legendary artist Doctor Honoris Causa. 
Miró died in Palma de Mallorca, Spain, on December 25, 1983.
Timeline
1893  -  Born in Barcelona in the Catalonia region of Spain 
1907  -  Begins studying at La Lonja’s Escuela Superior de Artes Industriales y Bellas Artes in Barcelona 
1912  -  Enrolls at Francesc Galí’s Escola d’Art in Barcelona
1918  -  Presents his first exhibition at the Dalmau Galleries in Barcelona. 
1921  -  Moves to Paris
1921  -  His first solo exhibition in Paris at La Licorne Gallery
1954  -  Is awarded the Grand Prize for Graphic Work at the Venice Biennale 
1958  -  Is awarded the Guggenheim International Award 
1976  -  Joan Miró Foundation Center of Contemporary Art Study opens in Barcelona.
1983  -  Dies in Palma de Mallorca, Spain
Exhibitions
1918  -  Dalmau Galleries, Barcelona 
1936  -  MOMA, New York 
1941  -  MOMA, New York
1962  -  Musée National d’Art Moderne, Paris 
1974  -  Grand Palais, Paris
1978  -  Musée National d’Art Moderne, Paris 
2008  -  MOMA, New York
2011  -  Tate Modern, London
2015  -  Nahmad Contemporary, Manhattan
Books/Publications
“Joan Miro” by Rosa Malet and Joan Miro
“Joan Miro: The Ladder of Escape” by Marko Daniel and Matthew Gale
“Joan Miro: Life and Work” by Jacques. Dupin
“Miro: From Earth to Sky” by Gisela Fischer and Jean-Louis Prat

 

See More Lots FOR FREE
at Blouin Art Sales Index
ART PRICES

LOT SOLD (1989 - 2010)

11482

MAX PRICE

$17,065,000

AVG PRICE

$2,887,964

TOTAL SALES (1989 - 2010)

$225,261,219

 Femme, oiseaux by Joan Miro

Joan Miro

Femme, oiseaux

Christie's, South Kensington

February 5, 2016

$27,313  USD

 Personnages by Joan Miro

Joan Miro

Personnages

Christie's, South Kensington

February 5, 2016

$15,477  USD

 Sans le soleil, malgr? les autres astres, il ferait nuit by Joan Miro

Joan Miro

Sans le soleil, malgr? les autres astres, il ferai

Christie's, South Kensington

February 5, 2016

$29,134  USD

 Untitled (recto and verso) by Joan Miro

Joan Miro

Untitled (recto and verso)

Christie's, South Kensington

February 5, 2016

 USD

 Sans titre by Joan Miro

Joan Miro

Sans titre

Christie's, South Kensington

February 5, 2016

 USD

 Personnage, oiseaux by Joan Miro

Joan Miro

Personnage, oiseaux

Bonhams, London

February 4, 2016

 USD

 50 anys Restaurant Orotava by Joan Miro

Joan Miro

50 anys Restaurant Orotava

Bonhams, London

February 4, 2016

$105,028  USD

 Sans titre by Joan Miro

Joan Miro

Sans titre

Bonhams, London

February 4, 2016

$25,492  USD

 Sans Titre III by Joan Miro

Joan Miro

Sans Titre III

Sotheby's, London

February 4, 2016

 USD

NEWS

Christie's Reassuring London Opener

By Judd Tully | February 2, 2016

The London auction season opened with a low-key yet reassuring result, as Christie’s Impressionist, Modern and Art-of-the-Surreal evening sale delivered £95,9177,100/$138,024,707 — comfortably...

Wildenstein Trial Nears, Obama Foundation Shortlists Library Architects, and More

By Noelle Bodick | December 22, 2015

— Wildenstien Trial to Expose Art Market Machinations: The art-dealing Wildenstein family and a handful of advisors are scheduled to go on trial in Paris on tax fraud and...

Evening Auctions End on a Modestly Cheery Note at Christie's Imp/Mod Sale

By Judd Tully | November 13, 2015

The two billion dollar-plus evening auction season ended on a relatively high note on Thursday at Christie’s Impressionist and Modern Art sale, which tallied $145,545,000 for the 49 lots that...

A Solid Showing at Sotheby's Impressionist and Modern Evening Sale

By Judd Tully | November 6, 2015

Sotheby’s New York delivered a solid and art market-reassuring Impressionist and Modern Art evening auction on Thursday, which brought $306,712,000 for the 36 works that sold.The tally — goosed...

Sotheby's $377M "A. Alfred Taubman: Masterworks” Sale

By Judd Tully | November 5, 2015

The big fall auction season in New York got off to a glitzy yet tentative start at Sotheby’s with “The Collection of A. Alfred Taubman: Masterworks” hauling in $377,034,000. The tally squeaked by...

Galerie Gmurzynska Uncovers Joan Miró the Rebel in Zurich

By Nicholas Forrest | October 6, 2015

Galerie Gmurzynska has marked the end of its 50th anniversary celebrations with the launch of a major exhibition showcasing the work of Joan Miro, in particular the radical, multifaceted body of...

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SLIDESHOWS

Christie's Imp/Mod and The Art Of The Surreal

By Judd Tully | February 2, 2016

Miró's Studio at Mayoral London

By Nicholas Forrest | January 29, 2016

Impressionist, Modern and Surreal at Christie's

By Mark Beech | January 16, 2016

Sotheby's Collection of Taubman Masterworks

By Judd Tully | November 4, 2015

Sotheby's Impressionist & Modern Art Evening Sale

By Regina Mogilevskaya | May 4, 2015

Christie's Impressionist and Modern Art Evening

By Regina Mogilevskaya | November 6, 2014

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GALLERIES