Occupation: Painting, Graphic Art, Digital Art, Cinema, Photography
Movement: Pop Art
One of the most influential figures in contemporary art and culture, the American artist Andy Warhol is synonymous with the Pop Art movement. He worked as a painter, graphic artist, sculptor, filmmaker and producer. He is one of the cultural icons of the 20th century.
Famous Artworks
“Campbell’s Soup Cans,” 1962
“Gold Marilyn Monroe,” 1962
“Banana,” 1966
“Flower (II.71),” 1970
“Mao,” 1973
“Mickey Mouse,” 1981
“Self-Portrait,” 1986
Early Life
Warhol was born in Pittsburgh on August 6, 1928, to parents who had immigrated to the United States from Slovakia. Originally, his name was Andrej Varhola, Jr., which was Americanized to Andrew Warhol. As a child, he contracted St Vitus’ Dance, a disease afflicting the nervous system which affected himboth physicallyand emotionally. He had to undergo long periods of bed rest and was isolated in school. In the time he spent recuperating, he cultivated an interest in drawing. He also liked to collect pictures of film stars.
After high school, Warhol enrolled in the Carnegie Institute of Technology, Pittsburgh, to study commercial art.In 1949, he graduated with a major in Pictorial Design.
Pop Art
Warhol moved to New York City in 1949 to work as a magazine illustrator and advertising draughtsman. He pioneered the use of the silkscreen printmaking process in painting and came to prominence in the advertising world for the blotted line technique, which he had developed while studying at college. In addition to creating illustrations for advertisements, Warhol illustrated books, album covers and promotional material for the RCA record label. In the early 1950s, he started showing his work in galleries and later went on to debut at theFerus Gallery in Los Angeles, in July 1962, followed by his first New York solo presentation at the Stable Gallery in November that same year.
By the 1960s, Warhol adopted in his art the imagery of everyday yet iconic ‘American’ objects such as the dollar bill, Coca Cola bottles and Campbell’s soup cans. Through these images, he decided to explore and celebrate the concept of consumerism. He became a proponent of the idea that art should be for everybody not just the moneyed classes, and by elevating the status of mundane objects to art subjects, he brought about a huge mindset shift in how art was created as well as perceived. This gave birth to the Pop Art movement in America, which challenged traditional notions of art by turning to popular culture for inspiration. The images that Warhol, and his peers,favoured were taken from the worlds of advertising, news, film, celebrity and the public domain, and denoted a hard-edged realism that turned its back on the emotional tenor of Abstract Expressionism. Without altering their essential character, Warhol used celebrity photographs from popular publications, most famously those of Marilyn Monroe and Elvis, and material from ads made for mass consumer products to create art.He created his famous ‘Death and Disaster’ series of silkscreen paintings that used the images of car crashes and disaster scenes. Although there was already a select group of artists in the United Kingdom who were drawing inspiration from mass culture, Warhol was one of the pioneers of the movement in America, and instrumental in giving it its definitive form.
The Factory
During the 1960s, Warhol founded his celebrated studio, The Factory, where he not only worked on his paintings, prints and abstract films, but also collected a coterie of writers, musicians, artists and countercultureeccentrics. It became a meeting place for the all who admired and were admired by Warhol. A highlight from this period was the 1964 show ‘The American Supermarket’ at Paul Bianchini’s Gallery on the Upper East Side, which presented an installation of objects fabricated by six Pop Art artists that had been put together to resemble a small supermarket, including Warhol’s paintings of the Campbell’s Soup cans as well as cans that were autographed by him.The event was aimed at upturning the notion of art as an exclusive, elitist indulgence, by bringing it down to the masses.
During this period, Warholtook the creative world by storm. He used assistants to produce silk screen multiples of his artwork, sometimes with variations, and sold many prints of his famous paintings. This exercise challenged, and in a way mocked, the significance of the ‘artist’s hand’ in the creation of a valuable piece of art. His Rorschach inkblots and oxidation (or ‘piss’) paintings were produced in these years.He adopted and promoted the band The Velvet Underground. He created album cover art for various bands including The Rolling Stones. He founded the gossip magazine ‘Interview’ and self-published many books. He made a number of abstract films, featuring his bohemian friends and associates from The Factory. He collected around him a clique of New Yorkers, who besides appearing in his films, were often seen partying with him. Various members from this clique served as his muse at different points, and were labeledand promoted as ‘Superstars’ by the artist; the most well known of these ‘Warhol Superstars’ was socialite and model Edie Sedgwick.
Warhol toyed with the concepts of art and celebrity and redefined them for an entire generation. He delivered the famous dictum: “In the future, everyone will be famous for fifteen minutes”.
Asocial gadfly who haunted clubs like Max’s Kansas City and Studio 54, Warhol constantly mingled with the stars of the New York underground art, music, and cinema worlds, and he reveled in the attention of the paparazzi. He founded the New York Academy of Art in 1979. And then after a relatively quiet decade in the 1970s, Warhol received both critical and commercial success in the 1980s and he also began collaborating with younger artists.
For all his commercial success, Warhol’s life was not free of controversy. On June 3, 1968, Warhol was seriously injured after being shot by Valerie Solanas, an actress and scriptwriter who had featured in the Warhol film “I, a Man”. She later revealed that she shot Warhol because he ‘had too much control’ over her life.
Ever since Campbell’s soup cans and Brillo boxes attracted interest and criticism in the early 1960s, art critics have remained stubbornly divided over the significance of his legacy. Of all the postwar artists, however, Warhol was the one whose work and artistic philosophyveered in a wholly new direction in relation to previous art history. His rise to fame and considerable commercial success demonstrates an artistic vision powerful enough to tap into and resonate with the spirit of America’s postwar consumer society.
He died in February 22, 1987, while recovering from a gallbladder operation. Even 25 years after his death, Warhol’s work continues to dominate the contemporary art market, accounting for a sixth of all sales.
1928  -  Born in Pittsburgh
1941  -  Death of his father
1945  -  Enrolls at the Carnegie Institute of Technology
1949  -  Graduates, moves to New York
1966  -  Produces the album “The Velvet Underground and Nico”
1968  -  Attempted murder attempt on him by Valerie Solanas
1979  -  Founds the New York Academy of Art
1987  -  Dies in New York
1962  -  Ferus Gallery, Los Angeles
1962  -  Stable Gallery, New York
1964  -  Bianchini Gallery, New York
1980  -  Jewish Museum, New York
1989  -  Museum of Modern Art
2001  -  Neue Nationalgalerie, Berlin
2007  -  Samsung Museum of Art, Seoul
The Andy Warhol Museum, Pittsburgh
Museum of Modern Art, New York
Metropolitan Museum of Art, New York
Guggenheim Museum, New York
Art Institute of Chicago
National Galleries of Scotland, Edinburgh
National Gallery of Australia, Canberra
National Gallery of Canada, Ottawa
Tate Gallery, London
Fukuoka Art Museum
Fundació Suñol, Barcelona
Groninger Museum, Groningen
Kunstmuseum Basel
Musée d’Art Contemporain, Marseilles
Museo di Arte Moderna e Contemporanea, Trento
“The Life and Death of Andy Warhol,” by Victor Bockris
“Loner at the Ball: the life of Andy Warhol,” by Fred Lawrence Guiles
“Pop Art: an international perspective,” by Marco Livingstone
“The philosophy of Andy Warhol: from A to B and back again,” by Andy Warhol
“The Essential Andy Warhol,” by Ingrid Schaffner
“Holy terror: Andy Warhol close up,” by Bob Colacello
“Andy Warhol: A Factory,” by Germano Celant
“Andy Warhol,” by Wayne Koestenbaum



LOT SOLD (1989 - 2009)






TOTAL SALES (1989 - 2009)


 Be A Somebody With A Body by Andy Warhol

Andy Warhol

Be A Somebody With A Body

Sotheby's, Hong Kong

January 19, 2017


 Ladies and Gentlemen by Andy Warhol

Andy Warhol

Ladies and Gentlemen

Pierre Berge & Associes, Paris

December 15, 2016

$106,706  USD

Andy Warhol


Leslie Hindman Auctioneers, Chicago

December 14, 2016

$18,750  USD


Andy Warhol’s ‘Lips’ at Danziger Gallery, New York

By BLOUIN ARTINFO | January 18, 2017

'Permanent exhibition' at ZetaEffe Galleria, Florence

By BLOUIN ARTINFO | January 16, 2017

Auction Preview: Phillips Evening & Day Editions, London, Jan 19

By BLOUIN ARTINFO | January 16, 2017

‘The Age of Ambiguity: Abstract Figuration/Figurative Abstraction’: Vito Schnabel Gallery, St. Moritz, Switzerland

By BLOUIN ARTINFO | January 14, 2017

Auction Preview: Sotheby’s ‘Boundless: Contemporary Art,’ Hong Kong, Jan 19

By BLOUIN ARTINFO | January 6, 2017

‘The American Dream’ at British Museum, London

By BLOUIN ARTINFO | January 6, 2017


Andy Warhol’s ‘Lips’ at Danziger Gallery, New York

By BLOUIN ARTINFO | January 17, 2017

Auction Preview: Auctionata’s The Novice Collector

By Hans Schneider | December 11, 2016

Auction Preview:Christie’s, Andy Warhol @ Christie

By Isabella Mason | December 6, 2016

Auction Preview: Bonham’s, Modern Prints

By Isabella Mason | December 5, 2016

Auction Preview: Sotheby’s Books and Manuscripts

By Isabella Mason | November 30, 2016

‘Don’t You Think It’s Time For Love?’, Moscow

By Mikhail Petrov | November 22, 2016