Biography

Occupation: Painter   
Movement: Impressionism          
Education: Ecole des Beaux-Arts, Paris 
Famous Artworks
“Le Pont de Moret a Matin d’Avril,” 1888
“Moret-sur-Loing,” 1891
“Bords du Loing Pres de Moret,” 1892
“Route a Louveciennes,” 1874
“Un Noyer dans la Prairie de Thomery,” 1880
“Paysage,” 1887
“Ete a Moret,” 1888
“Le Potager,” 1872
Alfred Sisley was an Anglo-French Impressionist who championed the En Plein Air ethos and remained dedicated to landscape painting throughout his life. He was the most prolific of the Impressionists, producing over 900 oils and 100 pastel drawings in his lifetime.
Sisley was born in Paris in October 1839 to wealthy British parents whose Kentish ancestry has been traced back to smugglers operating around the English Channel. His father, William Sisley, was a legitimate silk merchant, exporting artificial flowers and luxury goods to South America; his mother, Felicia, was a connoisseur of music and art and well-known in high society. Sisley was the youngest of four children, and the only one to be born in France. He grew up in the 10th Arrondissement, and the subjects of his later paintings can be identified in and around that district.
At 17, he was sent to live with relatives in London to improve his language skills. His father expected him to study business, but the art of John Constable and J.M.W. Turner appealed more to Sisley than trading. He returned to Paris in 1860, resolute to eke out a living as a painter.
The Impressionists
His formal education began at the Ecole des Beaux Arts within the atelier of Swiss artist Marc Charles Gabriel Gleyre, who had no more than 40 students a year. Serendipity determined that Sisley, Pierre-Auguste Renoir, Claude Monet, and Frederic Bazille were among those 40. And all four were part of the intelligentsia that made Café Guerbois at Avenue de Clichy their second home.
They began experimenting with the idea of en plein air, a technique that would require the artist to be outdoors in order to capture the minute subtleties of sunlight upon a surface. A pioneering method at that time, en plein air resulted in paintings more nuanced in color than the public was used to and the Salon often rejected their work. The Impressionists continued developing their form despite little critical or financial success. They supported Baudelaire’s idea that the artist be aesthetically and culturally embroiled in “modern life.”
The Franco-Prussian War
In 1866, while painting on the coast of Normandy with Renoir, Sisley learned of his mother’s death. It was an unsettling time for the young artist, as he had recently fallen in love with Marie Lescouezec, a floral designer who lived in the 17th Arrondissement in northwest Paris. The couple began living together the following year and had a son, Pierre, later that year. William Sisley looked upon his son’s illegitimate family with considerable distaste and terminated all financial assistance and communication for a time.
The Franco-Prussian War of 1870 proved a difficult time for Sisley. Bazille’s death at a skirmish at Beaune-la-Rolande fractured some part of the natural development of the Impressionists. While the loss of his friend and colleague was still raw, the Prussian Army seized his living quarters in Bougival, and the subsequent bombing of Parisian suburbs destroyed whatever work he had in residence.
Meanwhile, his father’s company disintegrated under the pressures of war and the family fortunes were lost. William Sisley died in 1871, leaving his son to support himself and his family on the meager income of a working artist. Fortunately, Monet introduced Sisley to a sympathetic art dealer named Durand-Ruel in 1872 and he was assured an adequate number of sales through viewings on Rue Lafitte in Paris and New Bond Street in London.
But the atmosphere of postwar Paris did not foster hope for financial success. The smattering of exhibitions through the 1970s did more for Sisley’s reputation than his bankbook. By the early 1880s, he found himself relinquishing the rights of many of his paintings to Durand-Ruel in exchange for steady monetary imbursement. Durand-Ruel, like other canny art dealers, was educating himself on the growing American market of collectors. In 1886, he organized an exhibition at the American Art Galleries in New York titled “Works in Oil and Pastel by the Impressionists of Paris.” The show was a moderate success and in 1891, Durand-Ruel exhibited 28 paintings by Sisley in a solo show.
Marriage and Death
After a successful show at the Galerie Georges Petit in 1897, Sisley and his family traveled to England for three months. He spent time in Cornwall and Wales, painting the stormy coastline, before arriving in Cardiff, where he married his partner of 31 years, Marie.
Sisley died of throat cancer in January 1899, three months after the death of his wife. Four months later, the Galerie Georges Petit assembled a show of his works and a benefit for his two children was organized.
Timeline
1839  -  Born in Paris
1857  -  Travels to London to study business
1861  -  Returns to Paris to enroll at the Ecole des Beaux-Arts
1866  -  Begins an affair with Eugenie Lesouezec
1868  -  Exhibits at the Paris Salon to little attention
1870  -  Loses much of his fortune during the course of the Franco-Prussian War
1880  -  Moves to a hamlet near Moret-sur-Loing
1881  -  Travels to Britain for a brief period
1897  -  Marries Lesouezec
1899  -  Dies in Moret-sur-Loing
Major Exhibitions
2011  -  Von-der-Heydt Museum, Wuppertal
Museums / Collections
Art Institute of Chicago
Dallas Museum of Art
Hermitage Museum, Saint Petersburg
J. Paul Getty Museum, Los Angeles
Louvre Museum, Paris
Metropolitan Museum of Art, New York
Fine Arts Museums of San Francisco
Musee d’Orsay, Paris
National Gallery, London
Neue Pinakothek, Munich
Tate Gallery, London
Amgueddfa Cymru, Cardiff
Indianapolis Museum of Art
Philadelphia Museum of Art
Books / Publications
“Alfred Sisley” by MaryAnne Stevens and Isabelle Cahn
“Sisley” by Raymond Cogniat 
“The Private Lives of the Impressionists” by Sue Roe
“Alfred Sisley: The English Impressionist” by Vivienne Couldrey

 

ART PRICES

LOT SOLD (1966 - 2010)

778

MAX PRICE

$5,096,000

AVG PRICE

$2,054,697

TOTAL SALES (1966 - 2010)

$57,531,517

 P?niches sur la Seine, effet d?automne by Alfred Sisley

Alfred Sisley

P?niches sur la Seine, effet d?automne

Christie's, New York

May 13, 2016

 USD

 Garage de bateaux ? Saint-Mamm? by Alfred Sisley

Alfred Sisley

Garage de bateaux ? Saint-Mamm?

Christie's, New York

May 12, 2016

 USD

 Bord du Loing: La charette by Alfred Sisley

Alfred Sisley

Bord du Loing: La charette

Dobiaschofsky, Bern

May 11, 2016

 USD

NEWS

Bonhams to Show London Sale Highlights in Hong Kong

By Nicholas Forrest | January 7, 2016

A Solid Showing at Sotheby's Impressionist and Modern Evening Sale

By Judd Tully | November 6, 2015

Which British Artist Will Feature on the Next £20 Banknote?

By Nicholas Forrest | July 26, 2015

Monet and More: Frankfurt’s Städel Museum Celebrates its Bicentennial

By Lisa Contag | March 13, 2015

Sotheby's Soaring Night

By Judd Tully | November 7, 2013

Soutine, Chagall, Schiele Help Christie's to $158-Million Imp-Mod Haul

By Judd Tully | May 9, 2013